Isn't it strange how few Doctor Who stories happen
around the sea? For me it's the ideal location for the show, heady with
historical atmosphere, from the formation of the land to smugglers of old. A
liminal space, ebbing and flowing, frequently strewn with mist, fog, rain and
waves. A Saturday outing sort of place. And then there's the deep mystery of
the waves. I was rather thrown when I realised one of the guest cast here was
Maggie, the seaweedy Linda Blair of Fury
from the Deep.
What's going on, I wondered. Is the sea itself a
recurring villain, disgorging infernal kelp one season, angry reptile people
the next? Was Zaroff of Atlantis driven insane by something in the water? Is
this, perhaps, Doctor Who in its element? (We are, at least, back in the astounding 1960s era of 'special sound', and I love it.)
I hadn't seen The
Sea Devils before and I wasn't sure quite what to expect. In preparation,
of sorts, I read David A McIntee's novel, The
Face of the Enemy, which takes the genius step of imagining what was
happening on Earth for the Master, the Brigadier and (for some reason) Ian and
Barbara, while the Doctor and Jo are hobnobbing with giant phalluses in outer
space. It even manages to deliver an unexpected, fully justified sequel to a
prior Third Doctor story.
I wouldn't say it went to the sorts of places I
would have liked it to go – despite seemingly focusing on some of the
side-characters of the show, McIntee doesn't spend much time on exploring their
characters or the dynamic between them. They remain side-characters. On a
grander scale, though, it's a cynical, down-to-earth, 'gritty' story. It almost
feels like a straightlaced response to the childlike naivety and colour of the
story it parallels.
The oddest thing, following it up with The Sea Devils, is that half its raison
d'etre – imagining the Master's incarceration, before the story in which he
(spoilers!) escapes – makes no sense. If the Master had just managed to liberate
himself/be rescued/kidnapped from a remote prison, would the Brigadier really
pop him in the lax security establishment seen onscreen? Would the Doctor and
Jo approach him with the same guilelessness, the mix of goody-goody opprobrium
and forlorn sympathy?
The weird thing being, onscreen it reads very well.
In the novelisation (which I picked up in Bromley at the same time...!) it
reads even better. In the novel, a fisherman rowing the Doctor to the island
makes it clear he feels the Master, a criminal celebrity (although nobody's
heard of the Doctor: a nice touch) should have been executed. The continued
references to 'the chateau', wrapped in red tape and not much else, produce a
perfect setting: serene, stuffy, ripe for corruption and in fact destruction.
And yes, here's the Doctor feeling sorry for the
Master, a man who (a couple of months back) was running a real black magic
coven. Sympathy for the devil, indeed! The Master wasn't performing some petty fraud. He was trying to inherit the power of Satan (the actual Satan) and destroy the world.
If Curse of
the Peladon is the story where Jo really springs to life, The Sea Devils lavishes some time on the
Master and it's hugely rewarding. At the start of the story, he's already in
control, and not because of a hypnoray but through the force of his personality
– we see him at work. The Doctor is soon the prisoner of his mortal enemy, with
Jo running desperately around a British prison where the guards have been told
to shoot to kill. I've never heard anyone describe this as Who's take on The Prisoner, but it seems that way to
me.
The Establishment takes more than one knock in this
story – no sooner is the childlike prison governor Trenchard dead (and read
the Target novelisation for how it really
happened!) then his role is taken up by warmongering minister, Walker (just one
letter away...). He's not evenly used in the story, but he does deliver one of
the more pointed lines in the story:
Murder? War always is, my dear. Where on Earth's that girl with my toast?
It's almost a pity the Sea Devils have to turn up
at all. The Cybermen are never in the right stories. What do the Sea Devils
represent here? Upright seahorses with turtle faces, wrapped in netting (one of
them, in a sort of fishnet cape, taking things a step too far) who begin with
some light sabotage and quickly fall back on nuclear war.
When I was watching my latest Pertwee adventure, I
happened to be reading Turtle Diary
by Russell Hoban, or to be more exact, re-reading. Hoban, who passed away just
a couple of years ago, was a prolific novelist of the eccentric variety, and
his birthday is celebrated by fans every February 4th. I was re-reading Turtle Diary, in fact, for the third
time I think. It turned out to be strangely resonant.
In the novel, two rather melancholy individuals
independently decide to liberate the sea-turtles of London Zoo. There is
nothing glib about the book. They simply realise, slowly, that the reality of
the turtles' captivity is intolerable. The thought of liberating the turtles, once
accepted as possible, is intolerable to suppress. The turtles represent all
animal life – birds, gibbons, water-beetles – in their capacity to deal with
the world as is, directly, not synthesised into, for example, cute animal
stories or turtle soup.
Animals, like shamen, experience a higher level of
reality. Not only that, they respond to it instinctively: 'A turtle doesn't
have to decide every morning whether to keep on bothering, it just carries on.
Maybe that's why man kills everything: envy.'
The turtle-like, even child-like Sea Devils
complicate Hulke's narrative. The story of the Master's takeover of his own
prison is the story of a nation state that is weak and self-interested enough
to be led, by the devil himself, into corruption and violence. Perhaps there is
something about the minister's ability to bomb an enemy he can't see. But what
actually excites us about these tadpole-men from the deeps? Are they inhuman,
un-human, better than apes? What a shame the story resolves in so bizarre a
mirror of The Silurians. What about the Doctor? Is he alien? Inhuman? Doctor
who?
And next - The Mutants! Another story I've never seen...
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